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Tarot & the Poets

Tarot & the Poets. Bent Sørensen Aalborg University D enmark. Tarot & the Poets – why and how?.

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Tarot & the Poets

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  1. Tarot & the Poets Bent Sørensen Aalborg University Denmark

  2. Tarot & the Poets – why and how? • Academics know little about the Tarot – Tarot enthusiasts are not always academics or well-versed in poetry: Why not for once bring the two communities together in an informal, yet scholarly informed manner..? • “…to restore the spiritual dignity of Tarot…” – perhaps • The best vehicle for this might well be poetry, as an accepted canonical feature of higher education, as well as a means of exploring the Self. • Poets of the 20th C. have used Tarot extensively, whether employing the Tarot imagery generally, describing Tarot readings and practitioners, or interpreting in words specific cards or spreads from Tarot decks. • Today I’ll focus on a few American poets as examples…

  3. Tarot & the poets – a selective American corpus • Sylvia Plath • Anne Sexton • Diane di Prima • Alice Notley • Ted Berrigan • Philip Whalen • John Wieners • Philip Lamantia • Robert Creeley • Charles Olson • T.S. Eliot

  4. Sylvia Plath (1932 - 1963)

  5. Plath keywords & works • Suicide • Ted Hughes marriage • Father obsession • Personal history, confessionality… ----- • The Bell Jar (novel) • The Ariel poems • Daddy: https://www.youtube.com/watch?v=6hHjctqSBwM • “With my gypsy ancestress and my weird luck/And my Tarockpack and my Tarock pack”

  6. Anne Sexton (1928 - 1974)

  7. Sexton keywords • Suicide after many years of therapy • Bipolar disorder • Confessionality, examination of sexuality in her poetry • 1967 Pulitzer Prize winner ---- • Live or Die • Love Poems • The Death Notebooks

  8. Anne Sexton: Live Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed.

  9. Diane di Prima (b. 1934)

  10. Di Prima keywords & works • Beat • Sexual revolution – playful confessions • Feminism ---- • This Kind of Bird Flies Backwards • Revolutionary Letters • Loba

  11. Di Prima: Princess of Disks

  12. Princess of Disks, part II

  13. Thoth Princess

  14. Alice Notley (b. 1945)

  15. Notley keywords & works • Embodies the life of a migrant poet – from Arizona to California, Chicago, New York and Paris – to name but a few of the places she has lived. • Friend of Frank O’Hara and fellow traveller of the New York School poets (60s/70s) • Married to Ted Berrigan • ---- • 25 volumes of poetry, Pulitzer finalist • “Two of Swords”

  16. Two of Swords

  17. Two of Swords

  18. Alice Notley & the Tarot • "Well, Ted and the tarot. Ted was living in a single room in a boarding house in Ann Arbor in fall, 1969. It was midnight and I was waiting for Ted to arrive from somewhere, I was sitting on the floor of the room (only furniture a mattress, maybe a chair) with John Godfrey, visiting from New York. He and I were poetry babies, Ted was older. So the downstairs door, it turns out, locks after midnight; Ted couldn't get in. The window opened and there he was at the window, he'd climbed up the fire escape -- third floor room. He had a brand new Rider tarot deck, god knows where he'd gotten it, I can't remember. And he proposed to tell our fortunes. I'd never seen a tarot deck before. I guess I knew that there were different fortune-telling methods though. What method will you use? I asked. I'm going to make up my own method, he said. Then he told me and John, in turn, to select the cards we liked best and he'd use those. I had enough sense to select about ten, but John fell in love with all of them and couldn't narrow it down. He finally got the number down to 22 cards. Then Ted told our fortunes, but I don't remember what they were."

  19. Ted Berrigan (1934 - 1983)

  20. Berrigan keywords & works • Innovator of the sonnet form • New York School (2ndgen. affiliate) • Inspired by the hybridity of The Waste Land • Humorous • Many collaborative projects ---- • The Sonnets (1964)

  21. Ted Berrigan: The Fool (from Real Life)

  22. Philip Whalen (1923 - 2002)

  23. Whalen Keywords & works • Zen master and poet • Spent years in Japan • Beat – friend of Gary Snyder and Jack Kerouac ---- • Every Day • On Bear’s Head

  24. Whalen: Card #21

  25. Le Monde

  26. John Wieners (1934 - 2002)

  27. John Wieners keywords & works • San Francisco Poetry Renaissance (late 50s) • Mental illness • Homosexuality • Friend of Charles Olson • Collaborator w. painters such as Francesco Clemente • ---- • The Hotel Wentley Poems • Ace of Pentacles • Nerves

  28. Ace of Pentacles, 1964

  29. Wieners: Le Chariot

  30. Le Chariot

  31. Philip Lamantia (1927 - 2005)

  32. Lamantia keywords & works • Surrealist affiliate, friend of Breton • SF Renaissance/Beat Gen. fellow traveller • Reveler and drug addict • Late convert to Catholicism ---- • Ekstasis • Narcotica • Meadowlark West

  33. Lamantia: Oblique and Direct

  34. Robert Creeley (1926 - 2005)

  35. Creeley keywords & works • Black Mountain College • San Francisco Renaissance / Beat Gen. • Close friend and correspondent w. Charles Olson • Battled alcoholism • Lost one eye in early childhood ---- • Le Fou • For Love • 50 other volumes

  36. Creeley: Zero (from Numbers)

  37. Creeley: Zero

  38. Creeley: Zero (using Waite as afterword)

  39. Robert Indiana: Zero

  40. Charles Olson (1910 - 1970)

  41. Olson keywords & works • Black Mountain College • Gloucester, Mass. • 6’ 8’’ tall – a towering presence • Did not write poetry before the age of 35 • Battled alcoholism, and a strong fatalist tendency • Projective verse • “Archeologist of morning” • Maximus – mythopoeic poetry sequence ---- • The Maximus Poems • Y & X

  42. Y & X • A collaboration with Italian artist CorradoCagli, who also introduced Olson to the Tarot and gave him his first deck – a Marseilles type. • Contains only 5 poems and 5 drawings by Cagli • Cagli’sdrawings are based on the poems, but can be seen as versions of the cards filtered through Olson’s words • Several other early Olson poems are ekphrases (specific descriptions/explications) of Tarot cards – some very simplistic ones, others obscure. • These poems include: Bagatto; The Green Man; The Fool; Double, double, root and branch…; X to the Nth; The Moebius Strip, a.o.

  43. Y & X (1948-9)

  44. Bagatto (dedicated to Cagli)

  45. Bagatto, cont’d

  46. The Fool, first stanza

  47. “Double, double, root and branch…”

  48. “Double, double, root and branch…”

  49. Olson: The Green Man (from Y & X)

  50. Cagli: The Lion (from Y & X)

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