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Rewriting History: Creating Space Women’s Representations within the Dialectics of Modernism, Postmodernism, And Black Feminism. Ambivalence and Parody. Faith Ringgold, Flag is Bleeding, oil on canvas, 1967. Faith Ringgold, Flag for the Moon: Die N…, o/c 1969.

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Rewriting History: Creating Space

Women’s Representations within the

Dialectics of Modernism, Postmodernism,

And Black Feminism

Ambivalence and Parody






Elizabeth Catlett, tie dye fabric, 1988

Homage to My Young Black Sister,

Wood, 1968


Elizabeth Catlett, tie dye fabric, 1988

Homage to Black Women Poets,

Wood, 1984


Elizabeth Catlett, tie dye fabric, 1988

Sharecropper,

Color linocut,

1970


Barbara Chase Riboud, tie dye fabric, 1988

Monument to Malcom X

Mixed media, 1969


Sokari Douglas-Camp tie dye fabric, 1988

Gelede,

Steel, 1993


Sokari Douglas-Camp “Otobo masquerade”, tie dye fabric, 1988

Wood, steel, palm stem brooms, h.6’


Howardena Pindell, tie dye fabric, 1988

Autobiography:

Water/Ancestor/Middle Passage/Family Ghost

Acrylic, gouache, tempera on board, 1988


Freida High, tie dye fabric, 1988

Returning to the Door of No Return,

Acrylic and sand on canvas, 1995



Betye Saar: paper, 1983

a) The Liberation of Aunt Jemima—mixed media, 1972

b) Double Duty—I’s Back Wid a vengeance, mixed media, 1997


Emma Amos, paper, 1983

Tight Rope,

Acrylic on canvas,

1994





Kara Walker, No mere words can Adequately reflect the Remorse this Negress..

Cut out paper and adhesive on painted wall, 10x65 feet, 1999.


Kara Walker, The End of Uncle Tom, and the Grand Allegorical Remorse this Negress..

Tableau of Eva in Heaven, cut out paper and adhesive on wall, 1995


Maria Magdalena Campos-Pons, Remorse this Negress..

The Truth Doesn’t Kill You

(La verdad no mata)

Wood, marble and glass

1991


Alison Saar, Remorse this Negress..

Afro-Di(e)ty,

Wood, coral, mixed media

2000


Bernie Searle, Remorse this Negress..

Snow White,

“Still” Photo-reproduction from

Her “Two Projector video installation”

2001




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