Rewriting History: Creating Space
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Rewriting History: Creating Space Women’s Representations within the Dialectics of Modernism, Postmodernism, And Black Feminism. Ambivalence and Parody. Faith Ringgold, Flag is Bleeding, oil on canvas, 1967. Faith Ringgold, Flag for the Moon: Die N…, o/c 1969.

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Rewriting History: Creating Space Women’s Representations within the

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Rewriting History: Creating Space

Women’s Representations within the

Dialectics of Modernism, Postmodernism,

And Black Feminism

Ambivalence and Parody


Faith Ringgold, Flag is Bleeding, oil on canvas, 1967


Faith Ringgold, Flag for the Moon: Die N…, o/c 1969


Faith Ringgold, Picasso’s Studio, Acrylic on canvas

And tie-dye fabric, 1991


Faith Ringgold, Tar Beach, Acrylic on canvas, printed and tie dye fabric, 1988


Elizabeth Catlett,

Homage to My Young Black Sister,

Wood, 1968


Elizabeth Catlett,

Homage to Black Women Poets,

Wood, 1984


Elizabeth Catlett,

Sharecropper,

Color linocut,

1970


Barbara Chase Riboud,

Monument to Malcom X

Mixed media, 1969


Sokari Douglas-Camp

Gelede,

Steel, 1993


Sokari Douglas-Camp “Otobo masquerade”,

Wood, steel, palm stem brooms, h.6’


Howardena Pindell,

Autobiography:

Water/Ancestor/Middle Passage/Family Ghost

Acrylic, gouache, tempera on board, 1988


Freida High,

Returning to the Door of No Return,

Acrylic and sand on canvas, 1995


Freida High, “Aunt Jemima’s Matrilineage”, pastel on paper, 1983


Betye Saar:

a) The Liberation of Aunt Jemima—mixed media, 1972

b) Double Duty—I’s Back Wid a vengeance, mixed media, 1997


Emma Amos,

Tight Rope,

Acrylic on canvas,

1994


Lorna Simpson, Guarded Conditions, photography + Texts, 1989


Renee Cox, Yo Mama Last Supper, C-Print Photograph, 1996


Renee Cox, Olympia’s Boyz, Digital c-print, 2001


Kara Walker, No mere words can Adequately reflect the Remorse this Negress..

Cut out paper and adhesive on painted wall, 10x65 feet, 1999.


Kara Walker, The End of Uncle Tom, and the Grand Allegorical

Tableau of Eva in Heaven, cut out paper and adhesive on wall, 1995


Maria Magdalena Campos-Pons,

The Truth Doesn’t Kill You

(La verdad no mata)

Wood, marble and glass

1991


Alison Saar,

Afro-Di(e)ty,

Wood, coral, mixed media

2000


Bernie Searle,

Snow White,

“Still” Photo-reproduction from

Her “Two Projector video installation”

2001


Bernie Searle, Color Me Series….Installation, 1998-9


Bernie Searle, Untitled form The Color Me Series, Photo-reproduction, 1998-9


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