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Art I

Introduction to Ceramics. Art I.

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Art I

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  1. Introduction to Ceramics Art I

  2. “Some of the oldest messages left by man of his existence on this earth are the writings he left on cave walls and the shards of the ceramic tools he used in everyday life.  It would seem that the knowledge of making things out of hardened clay was not confined to any one continent or area of our world but is fairly well known to every race and culture that ever existed.” ~Don Francois Roban

  3. What is Clay? Clay is . . . . . .a fine mixture of decomposed igneous rock minerals and organic matter • Clay is continuously being formed

  4. Over time, exposure to the elements cause the materials to break down into smaller and smaller pieces Boulders Rocks Pebbles Fine grain materials that make up clay

  5. What is Ceramics? Objects made from any type of clay that is fired with the aid of heat

  6. History of Ceramics It is hypothesized that ceramics came about when humans 1st learned to control fire Old methods and concepts are still used today

  7. Historical Ceramic Origins • Anthropologists use Stone Age clues to piece together a variety of possible theories of ceramic’s origin

  8. Storage Vessels: Greece 1600 B.C Some jars as tall as 6 ft Created using the coil method

  9. Early Forms of Communication and Documentation: Cuniform Script • Early system of writing in Mesopotamia • Stylus pressed into clay tablets • Record-keeping of laws, historical events, & harvests

  10. Cylinder Seal • Form of signature, or identification on important documents Hunting Scene 2250-2150 BCE, Mesopotamia

  11. Mystical & Religious Purposes • Pots were widely used as funerary objects in prehistoric burial grounds • Contained food to accompany dead on journey to the afterlife • Infants and small children • Ceramic figurines and animals to protect the deceased.

  12. Terracotta Warriors • Form of funerary art - buried with the First Emperor of Qin (He first emperor of China in 221 BCE.) • Their purpose was to help him rule in the afterlife. • Architects are currently still excavating

  13. Hand Building : Process of forming pieces using YOUR hands without the use of a potter’s wheel; 30,000 years old

  14. Early Methods of Forming Clay The earliest and simplest methods are still used today: Three Basic Hand Building Techniques: • Pinch Method (oldest method) • Coil Method • Slab Method

  15. Pinch Method • Is when clay is pulled and pinched in order to shape an object with fingers • It is the oldest form of ceramic hand building

  16. Pinch Pot

  17. Pinch Method:

  18. Two Pinch Pots can be combined to create a hollow form:

  19. Coil Method • Is when long ropes/coils of clay that are of equal thicknesses are used to build a ceramic object

  20. Coil

  21. Coil

  22. Slab Method • Is a method of rolling out clay flat to an equal thickness • Slabs can be cut into shapes and used to construct ceramic objects

  23. Slab Method

  24. Slab Method

  25. Slab Method

  26. Potter’s Wheel : a machine that forms pottery using a wheel

  27. 6 Stages of Clay: • Slip: Liquid clay; the “glue” required to attach two pieces of clay together • Wet/Soft: Plastic clay; workable; easily manipulated ** IDEAL stage to work with clay

  28. 6 Stages of Clay Continued…………. 3. Leather Hard:Clay is stiff but still damp; firm -maintains form and can be smoothed, carved, and added to; *not easily distorted

  29. 6 Stages of Clay Continued…….. 4. Bone-dry (Greenware): Water has evaporated from the clay; form is brittle and ready to be fired ** Clay becomes lighter in color

  30. 6 Stages of Clay Continued………. • Bisque: fired once; ready to be glazed then fired a second time 6. Glazeware: objects that have been fired a second time after glaze has been applied

  31. Clay may be recycled through the GREENWARE stage. Recycling Clay! **Once clay has been fired it becomes permanent – it can no longer be recycled

  32. The Kiln: • Chamber for firing your clay • Clay MUST be Bone Dry to fire • You must fire your clay for it to become permanent

  33. Kiln • A kiln can reach temperatures of 2,500 degrees F. and higher • Your oven at home possibly reaches 500 at the most

  34. The Kiln

  35. The Firing Cycle 8-12 hours to heat to maximum temperature + 8-12 hours to cool 16-24 hours for firing cycle

  36. Glaze: • A coating of liquid glass that is applied to a clay surface that melts together and forms a decorative and protective surface

  37. Glaze also makes your ceramic piece: • Colorful • Food Safe (check glaze label) • Water Proof

  38. Wedging: • Process of slamming, kneading, or pushing clay

  39. How does wedging help? • Removes air bubbles trapped in the clay • Equalizes moisture • Makes clay texture uniform • Re –forms smaller pieces into one big one **You MUST always wedge first BEFORE using your clay.

  40. Plasticity: • Workability; • Is the quality of clay that allows it to be easily manipulated and still maintain its shape • Ideal texture for clay = play dough

  41. Plasticity is. . . The ability to hold together while being shaped (workability) ? Does it stretch and bend without breaking? ? Test It! Wrap a coil around your finger. If it cracks, the clay is not plastic. Create the Coil Plastic Not Plastic

  42. Moisture • All clay contains water. • Clay dehydrates when exposed to air. • Add water to clay to make it more plastic. • Too little or too much water causes clay to become less plastic. Tip: Mist clay with damp sponge. ALWAYS wrap your projects with plastic before storing.

  43. Score: • Means the process of roughing up the edges of clay with a tool in order to join two pieces of clay together • You must always: “score, slip, and press” when joining any two pieces of clay together

  44. Functional = pottery that serves a purpose or does a job. • Ex. = dishes, vases, bowls, cups plates, or lidded container

  45. Aesthetics: • The visual beauty or pleasurable qualities of an object

  46. Sculpture in the Round: • a free standing sculpture that is meant to be seen from all sides Chris Gustin

  47. Incising –carving or cutting into the clay surface with a tool

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