Japanese Art Early & Modern

1. Japanese ArtEarly & Modern Chapter 8

3. Early Pottery • Jomon Period • “Cord markings” • Technique used to decorate their earthenware vessels • Incised lines, coils of clay • Storage, cooking, bone burial,

5. Patronage & Artistic Life • Japanese artists worked on commission, some for the royal court, others in the service of religion. • Masters ran workshops with assistants – family-run businesses with the oldest son inheriting the trade. • The master created the composition by brushing in key outlines and assistants worked in the colors and details. • Painting is highly esteemed in Japan • Aristocrats learned to paint and became distinguished/very good in the art form.

6. Zen Buddhism • School of Buddhism – in East Asian societies- imported from China • Reject worldliness, the collection of goods on their own sake, and physical embellishment. • Meditation is the key to enlightenment • Zen teaches through intuition and introspections, rather than books and scripture.

7. Characteristics of Japanese Architecture • Zen philosophy of simplicity….. • Single story, made of wood, harmonize with the natural environment. • Wood is light, widely spaced intervals to support the roof, opening the interior to the outdoors. • Floors raised above ground – allowing air to circulate under the building. • Eaves were long to generate shady interiors, steeply pitched to allow rain to run off easily.

8. Characteristics of Japanese Architecture • Zen garden – stones and plants. • Serve as a spiritual place of contemplation and rejuvenation.

9. Phoenix Hall Phoenix Hall, Byodoin, Uji, Japan, Heian period, 1053.

10. Phoenix Hall • 2 bronze birds, in the shape of a phoenix – symbol of the protection of the Buddha; roof itself suggests the wings of the phoenix. • Used a kondo (space for Buddhist teachings) • Airiness, lightness, raised off the ground. • Combination of art works: architecture, sculpture, painting, landscape, reflection in water – key element. • Chinese influence- tile roofs, and stone base.

11. Characteristics of Japanese Painting/Printmaking • Ukiyo-e“pictures of the floating world” …. “floating” is meant in the Buddhist sense of the passing or transient nature of life; • Therefore….. ukiyo-e works depict scenes of everyday – life (genre paintings 17-19th centuries) or pleasure: festivals, theatre, domestic life, geishas, brothels etc. • Represented in woodblock prints, scrolls and painted screens.

12. The Burning of Sanjo Palace Detail of The Burning of the Sanjo Palace, Kamakura period, thirteenth century. Handscroll, ink and colors on paper, 1’ 4 1/4” high; complete scroll, 22’ 10” long. Museum of Fine Arts, Boston (Fenollosa-Weld Collection). • Late 13th century – hand-scroll • Diagonals sense of movement/action • Active brushstrokes • Narrative read from right to left as unfolded • Depersonalized figures

13. Modern Japan

14. World War II Widespread devastation, loss of life and more specifically the atomic bombing of HIROSHIMA and Nagasaki in 1945. 20th Century

15. Folk Pottery-- Hamada Shoji, 1962 • Functional objects made of natural materials.

16. Katisushika Hokusai • The Great Wave off Kanagawa (wood block) • Against a background with a low horizon line typical of Western painting, Hokusai placed a threatening wave in the foreground.

17. The Great Wave - Hokusai • 1826-1833 • First time landscape • Part of a series of prints called Thirty-six Views of Mount Fuji • Personification of nature as it seems intent on drowning the figures in the boats. • Mount Fuji, sacred mountain to the Japanese – seems to be one of the waves. • Design contrasts water and sky with large areas of negative space.

18. Japanese Painting/Printmaking • Ukiyo-e - became popular millions of prints were sold to the middle class, usually put between 1658-1858 (17th - 19th century) dominated genre paintings. • Won popular affection in Europe and in the Americas as an example of innovative Japanese art.

19. ARTIST: Suzuki Harunobu Eight Views- The Evening Bell Wood-block print, 11 ¼” x 8 ½” ca 1765

20. Japanese Sculpture • Abstract forms seen in the haniwa figures to realistic sculptures of Buddhist priests. • Earthenware, not painted • Geometric, simple shapes, • Found in tomb sites • Many shapes, sizes, animals, people etc. • Off center-eyes unequal arms • Tomb guardians? Spirit guardians? Haniwa (cylindrical) warrior figure, from Gunma Prefecture, Japan, late Kofun period, fifth to mid-sixth century. Low-fired clay, 4’ 1 1/4” high. Aikawa Archaeological Museum, Aikawa.

21. Shaka Triad • ToriBusshi • Shaka, Japanese name for Shakyamuni, the historical Buddha • Frontal, long face and hands; wide nose; heavy jaw; • Influence of Chinese art – elongated style – Tori was Chinese. • Heads, hands legs in high relief • Attendant bodhisattvas • Originally placed in the center of the kondo TORI BUSSHI, Shaka triad, Horyujikondo, Nara, Japan, Asuka period, 623. Bronze, 5’ 9 1/2” high.

22. Detail of the priest ShunjoboChogen, Todaiji, Nara, Japan, Kamakura period, early thirteenth century. Painted cypress wood, 2’ 8 3/8” high. Kamakura Period Finely painted details Signs of aging Personal attributes – beads Naturalism

23. Do Now! • Of the various art forms, which display the distinctive aesthetic ideals and preferences of the Japanese culture?