Dr. Howe's Presentation on Presentations: best practices, do-s and don't-s, tips and tricks for

1. Dr. Howe's Presentation on Presentations: best practices, do-s and don't-s, tips and tricks for fabulous and informative presentations

2. Shakespeare’s Sonnet 23 and the Imagery of Parts and Wholes By NAME ENXXX Date Dr. Howe Illustration by MirkoIlic, New York Times Book Review (1996)

3. Poet describes himself as “unperfect” (1) in his ability to express the forms and “ceremon[ies]” (6) of love Poet pleads with his beloved to read his love in his “looks” (9), which more perfectly express what he cannot in poetry

4. Shakespeare, Sonnet 23* As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit. * Reading by Cori Samuels, available at Librivox.org

5. Note the play of part and whole? Image via Hit Pause by Lisa Lenoir

6. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumbpresagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

7. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

8. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besideshis part, Or some fierce thing repletewith too much rage, Whose strength's abundanceweakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumbpresagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

9. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

10. Shakespeare, Sonnet 23 As an unperfect actor on the stage Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart. So I, for fear of trust, forget to say [5 The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharged with burden of mine own love's might. O, let my looks be then the eloquence And dumb presagers of my speaking breast, [10 Who plead for love and look for recompense More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

11. Is the whole more than the sum of its parts? Drawing Hands (1948), by M. C. Escher

12. What is the effect of this play of part and whole?

13. Illustrating “perfection” of emotion is impossible without a willing reader.

14. Only in poetry—or creative expression—can love be perfected.

15. Notably, it requires a reader—and a reader’s imagination…. the supplementary nature of writing—and reading—to feeling? —Jacques Derrida, Of Grammatology (281) image via Planomenology by Reid Kane

16. writing is the supplement par excellence… —Jacques Derrida, Of Grammatology (281)

17. propos[ing] itself as the…sign of a sign… —Jacques Derrida, Of Grammatology (281)

18. taking the place of a speech already significant —Jacques Derrida, Of Grammatology (281)

19. Works Cited • Adams, Eddie. Saigon Execution. Photograph. 1968. Newseum, Washington, DC. • Grundberg, Andy. "Eddie Adams, Journalist, 71; Showed Violence of Vietnam. " New York Times (1857-Current file) [New York, N.Y.] 20 Sep. 2004, B10. ProQuest Historical Newspapers The New York Times (1851 - 2005).ProQuest. Web. 24 Nov. 2008. • Newseum. “1969 Spot News: Edward Adams, The Associated Press.” Newseum Online Exhibit. Web. 24 Nov. 2008. • Sherer, Michael D. "Vietnam War Photos and Public Opinion :[1]. " Journalism Quarterly 66.2 (1989): 391-395,530. Humanities Module. ProQuest. Web. 24 Nov. 2008. • Willbanks, James. “Winning the Battle, Losing the War.” The New York Times 5 March 2008, sec. A23. Lexis/Nexis Academic. Web. 24 Nov. 2008. • THIS IS A SAMPLE WORKS CITED PAGE… NOT SPECIFIC TO THIS ESSAY!