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Introduction to Literary Criticism

Introduction to Literary Criticism. -Formalist -Psychological -Mythological/Archetypal -Feminist -Historical -Biographical -Reception. Lens. When you analyze literature using a specific approach, it is called using a LENS to study the work. Formalist (New Criticism).

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Introduction to Literary Criticism

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  1. Introduction to Literary Criticism -Formalist -Psychological -Mythological/Archetypal -Feminist -Historical -Biographical -Reception

  2. Lens • When you analyze literature using a specific approach, it is called using a LENS to study the work

  3. Formalist (New Criticism) • Look for PATTERNS within text • What the works says and how • Relationship between form and content • Search for precision • Study of Thematic Patterns • No need for outside research

  4. Young Goodman BrownFormalist Lens • Repeated Image- pink ribbons- tie the story together • Light and Dark Imagery- Ambiguity • Allusions to faith, hope and love • Faith vs. Doubt (“Desperate,” “Despair,” “No hope”) • Motif of love vs. hate

  5. Psychological Criticism • Based on philosophies by Freud • Actions are motivated by forces beyond our control • Human behavior is moved by sexuality

  6. Some Freudian Terms • ID- the source of our aggressions and DESIRES • EGO- part of the brain that regulates the ID • SUPEREGO- represses the ID and drives those feelings toward the unconscious

  7. Psychological Approach to Young Goodman Brown • Brown betrays innocence- motivated by ID • Journey is both psychological and physical • Village= consciousness/ social and moral order= SUPEREGO • Forest=unconscious, wild, untamed passion where he can let go of repression= ID • Young Goodman Brown= EGO= tries to find a balance between the two worlds

  8. Mythological/Archetypal Approach • A search for universal symbols within a work • A search for familiar patterns • Romantic Heroes/ Quests

  9. Archetypal/ Mythological Approach to YGB • Serpent in forest= symbol of evil • Faith= archetype of Good Mother (warmth, nourishment, protection) • Red/Fire= blood, violence, passion • Darkness= chaos • Setting Sun= death

  10. Feminist Approach • Often called the Gender Theory Approach • Gender determines roles and action in the work • Identifies the gender roles in the work • Question: Does the work reinforce or break down the patriarchy?

  11. Feminist Approach to Young Goodman Brown • Faith and other women are empowered with knowledge • Story centers on Brown’s rejection of his wife- she doesn’t destroy the marriage • Faith is wiser than Brown, yet he sees her as an obstacle

  12. Historical Criticism • Study the time period when the work was written • Study the allusions to contemporary events within the text

  13. A look at YGM using a historical lens • Hawthorne lived during a time when Puritanism was not as respected • During the Romantic era, the focus of literature was to create a history of America and an emphasis on the common man

  14. Biographical Lens • A study of the author’s own life as reflected in the work • A study of the work as a representation of the author’s personal beliefs and life

  15. YGB with a Biographical Lens • Hawthorne had an ancestor who was a judge in the Salem witch trials- he longed to disassociate himself with his family • Hawthorne believed that Puritanism was wrong- he was a bit of a Transcendentalist!

  16. Reception Theory • A look at who was reading the work when it was published- this is call readership • A look at the audience the work was meant for • A look at any problems that may have arisen at the time of publication • A look at when/why new editions were released

  17. Reception of YGB • Hawthorne’s first book failed and he burned every copy! • Although acclaimed by critics, the collection of short stories did not sell well • A new version was published in 1842, but even it did not garner much interest

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