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and Choreography

Dance,. Movements. and Choreography. MOVEMENTS. is a motion, a change in position. DANCE. refers to the movement of the body, usually rhythmic and to music. Used as a form of expression, social interaction or presented in a spiritual or performance setting. CHOREOGRAPHY.

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and Choreography

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  1. Dance, Movements and Choreography

  2. MOVEMENTS • is a motion, a change in position.

  3. DANCE • refers to the movement of the body, usually rhythmic and to music. Used as a form of expression, social interaction or presented in a spiritual or performance setting.

  4. CHOREOGRAPHY • Is the art of making structures in which movements occurs.

  5. TYPE OF DANCES FOLKDANCES BALLET • Festival Dance • Classical • Contemporary / Modern • Neo JAZZ POP / HIPHOP / STREET DANCE BALLROOM

  6. How to create a Festival Dance • 1. CONDUCT CULTURAL RESEARCH • 2. LEARN THE BASIC DANCE/S OF THE COMMUNITY • 3. STUDY THE MOVEMENTS and IMPLICATION • 4. LEARN DANCE NOTATION / DANCE ANALYSIS / IMPROVISATION / TECHNIQUE • 5. CREATE A DANCE ROUTINE THAT ORIGINALY BASED FROM THE RESEARCHED MATERIALS • 6. USE APPROPRIATE MUSIC, PROPS, COSTUMES, ETC.

  7. Pointers in making an effective FESTIVAL DANCE • study an effective STAGING (choreography, levels, etc.) • upgrade TECHNIQUE/ FORM and STYLE • consult ARTISTIC DESIGNS (costumes, props, sets, lights, music, script) • ALWAYS have a 2nd or a 3rd EYE

  8. BULACAN FESTIVALS / FIESTAS • DESPOSORIO (Malolos) • DISPOSORIO (Hagonoy) • FERTILITY RITUAL (Obando) • KNEELING CARABAOS (Pulilan) • HALAMAN (Guiguinto) • ANGEL FESTIVAL (San Rafael) • STO. NINO FESTIVAL (Malolos)

  9. LUYANG DILAW (Marilao) • CRUZ SA WAWA (Bocaue) • LIBAD (Calumpit) • HORSE FESTIVAL (Plaridel) • SUKANG PAOMBONG (Paombong) • BULAK FESTIVAL (San Ildefonso) • DUMAGAT FESTIVAL (San Jose) • BUNTAL FESTIVAL (Baliuag) • SINGKABAN FIESTA (Bulacans’ Best of the Best)

  10. Objectives of SINGKABAN FESTIVAL • To revive cultural traditions • To pass on the tradition to next generation • To enhance participation & creativity • To popularize tradition in contemporary setting

  11. Methodology • Research & Documentation of Cultural traditions • Defining the theme of the competition (e.g. heroism, local arts & crafts, local custom s & traditions) • Creating provincial theme music and rhythm of the street dance that uniquely represent the province • Encouraging every contingent to create their own sounds and rhythm based on tradition for the showdown proper • Conduct of Choreography Workshop for local trainors and choreographers • Provision of Subsidy to contest participants • Setting of Guidelines and Parameters of the street dancing competition vis-à-vis National standards (Aliwan Fiesta, DOT, etc…) • Involvement of well-known and respected dance directors as members of the Board of Jurors • Provision of Trophies & competitive prizes for winners

  12. Desposorio Malanggam, Malolos City, Bulacan Researched by: RODEL M. FRONDA

  13. DESPOSORIO (Malolos) • This is a dance performed in Barangay Malanggam, on the eve of a wedding day. A religious image of Joseph & Mary, decorated with flowers & lighted candles, is borne by the groom and the member of his family from his residence to the bride’s home. There is much dancing, singing & poetry as the procession moves along the way. Highlight of the ritual is what local folks call “PITONG HAKBANG” poetic lines of Seven Sacraments describing the various steps toward attaining a successful marital life.

  14. PHOTOS OF DESPOSORIO Originally this picture is presented by the groom to the Bride’s House. LIRIO is the first set of dance performed in Desposorio.

  15. TULA sa DESPOSORIO Bautismo ang Pasimula ng aming paghakbang, Unang Baitang kang aming tatapakan Sa aming pagtapak kami’y patnubayan Ang aming pag-akyat nawa’y matutuhan Ikapitong baitang, ito nga ang matrimonyo Tulungan mo po kami, birheng Inang masaklolo Sa Pagpasok namin mabuksan ang inyong templo Mailakad maisayaw itong dalang Desposorio (at the bride’s house) Sa ulo ni Adan kaya di hinango Ang babaeng Eba ng di-magpalalo Doon nga binuksan sa tapat ng puso Upang ang dalawa’y laging magkasundo

  16. DESPOSORIO at CCP

  17. Prepared by: RODEL M. FRONDA Artistic Director & Choreographer Sining Bulakenyo (Bulacan) and Lahing Batangan Dance Troupe (Batangas)

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