Modulation
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Modulation. Know: How to modulate in music Understand: How scales relate to modulation Be able to: Compose using 3 types of modulation. Perform W hole lotta love (below). Listen to: Whole lotta love (Image below). E. E. E. E. E. E. E. E. E. E. E. E. E. E. E. E. E.

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Modulation

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Modulation

Modulation

Know: How to modulate in music

Understand: How scales relate to modulation

Be able to: Compose using 3 types of modulation


Perform w hole lotta love below

Perform Whole lotta love (below)

Listen to: Whole lotta love (Image below)

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

B

D

B

D

E

E

E


Modulation

Decode: The key of E major – Why? Look at Whole lotta love.

E………………E

EF#G#ABC#D#E

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave


Modulation

Whoa! We’re half way there… Listen to this song - what’s the difference between the two times you hear those words?

Listen to: Living on a prayer (Image below)

That’s modulation! Now some up modulation in a sentence.

Question: How many times does Beyonce modulate?


Task roman numeral whole lotta love

EF#G#ABC#D#E

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave

TASK: Roman numeral Whole lotta love.

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

E

B

D

B

D

E

E

E

Numerals

B = …

D = …

E = …


Modulation

GCSE coursework and listening exam

For your listening exam and your coursework AQA expect you to be able to aurally detect 3 types of modulation:

  • Modulate to the Dominant – When a piece of music changes to the key of the 5th chord.

  • Modulate to the Sub-Dominant - When a piece of music changes to the key of the 4thchord.

  • Modulate to the Relative minor - When a piece of music changes to the key of the 6thchord.


Modulation

TASK: Modulate to the Dominant.(In E what’s the dominant?)

Numerals

BC#D#EF#G#A#B

B………………B

F#

A

B

V = …

VIIb = …

I = …

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave

TASK: Play 2 bars of Whole lotta love in E then 2 bars modulated to B

TIP: Use the Roman numerals from the previous task


Modulation

BC#D#EF#G#A#B

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave

TASK: Modulate to the Dominant.(In E what’s the dominant?)

Numerals

V = F#

VIIb = A

I = B

TASK: Play 2 bars of Whole lotta love in E then 2 bars modulated to B

TIP: Use the Roman numerals from the previous task


Modulation

ABC#DEF#G#A

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave

TASK: Modulate to the Sub dominant. (In E what’s the dominant?)

Numerals

V = E

VIIb = G

I = A

TASK: Play 2 bars of Whole lotta love in E then 2 bars modulated to A

TIP: Use the Roman numerals from the previous task


Modulation

C#D#FF#G#A#CC#

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave

TASK: Modulate to the Relative Minor. (In E what’s the dominant?)

Numerals

V = G#

VIIb = B

I = C#

TASK: Play 2 bars of Whole lotta love in E then 2 bars modulated to C#

TIP: Use the Roman numerals from the previous task


Modulation

ANALYSE: Walk the line – Johnny Cash

This song is a perfect example of modulation, It starts in the Key of F and then moves to Bb.

QUESTION: How is Bb relevant to the key of F?

QUESTION: Johnny moves from Bb to Eb- how are they related?

QUESTION: Johnny then goes back to Bb- relation?


Modulation

ANALYSE: Walk the line – Johnny Cash


Modulation

TASK 1: Compose your own 4 note riff (single line melody)

F………………F

FGABbCDEF

Tone ToneSemiToneTone Tone ToneSemiTone

IiiiiiIVVviVIIVIII

Tonic

Supertonic

Mediant

Sub dominant

Dominant

Sub-mediant

Relative minor

Leading tone

Octave

TASK 2: Modulate to the dominant

TASK 3: Modulate to the relative minor


Modulation

COMPOSITION: SELF ASSESSMENT

Added vocals!!

Modulate twice nice and smoothly

Modulate once without conviction

Play 4 chords or riff

Can play in time with group


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