Editing: Essence of Filmic Narration özge / advance interactive narrations / 6 nov 2006. Tom Gunning’s D.W. Griffith and the Origins of American Narrative Film. D. W. Griffith: master of the syntax of film narration. New elements Griffith introduces: The full shot The medium shot
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özge / advance interactive narrations / 6 nov 2006
D.W. Griffith and the Origins of American Narrative Film
They are for copyrights.
magic ---------------------> dramatic expression
Kubrick’s (p.21)Shining Trailer
Tagline: A Masterpiece Of Modern Horror
The original trailer:
A remake of it:
Editing: (p.21) Coordination of one shot with the next.
Dissolve: (p.21) superimposes end of shot A and beginning of shot B
[Continuity Editing contains a very narrow set of editing possibilities.]
Continuity Editing (p.21)
Aim: Using editing for invisible narration
180 degree rule
Avoiding Continuity Mistakes. (Costume, cigarettes, position of objects etc…)
Cut with Movement
Aim: Using editing as a tool for making meaning.
Collage like quality
2. Whether that ellipsis is filled or not?
3. Is it obvious; does the director want us to notice it or not
4. If it is filled later, what is the function of it?