1 / 55

PERSONAL - PowerPoint PPT Presentation

Carol Robertson oil paintings with rigorous rules being applied in order to ... Sarah Morris large scale paintings based on architecture using clear bright ...

I am the owner, or an agent authorized to act on behalf of the owner, of the copyrighted work described.

Download Presentationdownload


An Image/Link below is provided (as is) to download presentation

Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.

- - - - - - - - - - - - - - - - - - - - - - - - - - E N D - - - - - - - - - - - - - - - - - - - - - - - - - -

Presentation Transcript

Slide1 l.jpg

n. pl.boundaries

Something that indicates a border or limit.

The border or limit so indicated.

Slide2 l.jpg

abuttals, ambit, barrier, beginning, border, borderland, borderline, bounds, brink, circumference, circumscription, compass, confines, demarcation, edge, end, environs, extent, extremity, frame, fringe, frontier, hem, horizon, limits, line, march, margin, mark, mere, mete, outline, outpost, pale, perimeter, periphery, precinct, purlieus, radius, rim, side, skirt, terminal, termination, terminus, verge

Personal l.jpg


Who am I?

Who do I want to be and why?

What will it take?

Slide4 l.jpg

Cindy Sherman pushing the boundaries of Identity through the use of make-up, prosthetics, props and most importantly the quality of the photography.

Slide5 l.jpg

Creating stereotypes, questioning assumptions, challenging values and asking questions. Who is in control? The model or photographer, whose values are being expressed? How is the image being interpreted?

Slide6 l.jpg

Yasumasa Morimura upsetting pre-conceptions, identity is fluid, a double take on familiar works.

Slide8 l.jpg

Mariko Mori

Playing wittily with

images of feminity

and cultural

stereotyping. Challenging male responses in a deeply structured society.

Slide9 l.jpg

Julian Opie using body language, minimum of props and poses to create assumptions about identity. Critique of standardization and homogenized forms. Sexualizing pictograms.

Slide10 l.jpg



Slide11 l.jpg

Rebecca Horn body extensions playing with the physical

boundaries of the body in a sculptural way.

Slide12 l.jpg

Body extensions as tribal/ritualistic, as fashion and as a challenge to accepted social codes. Where are the boundaries of acceptability?

Political l.jpg


What do I believe?

What do I know?

What do I do?

Slide14 l.jpg

Sebastiao Salgado News from afar timeless images of suffering and exploitation stretching the limits of our belief and acceptance.

Slide15 l.jpg

With globalization there will be those who gain and those who lose out where are those political boundaries and how do we visualize them?

Slide16 l.jpg

Whose world is it anyway? What about national boundaries and citizenship and responsibilities how do we visualize who we are and what we believe in. Salgado began life as an economist and his images are powerful statements of economic issues facing the world, they are statements of his beliefs his boundaries of acceptability.

Slide17 l.jpg

What can we afford to lose, what do we have to keep, is it personal or is it political and how do we visualize our judgments, our decisions, what form should it take?

Slide18 l.jpg

Edward Burtynsky the new world, images of destruction and pollution.

Slide19 l.jpg

Edward Burtynsky travels the world recording the destruction we create through our rapacious greed his vision is of a world slowly being overwhelmed by our selfish gluttony. He has created a powerful global critique of consumerism and he warns us of the catastrophic consequences of our actions. His boundary is one of time will we run out of time before we remedy our destructive ways.

Slide21 l.jpg

Michael Najjar the city with fluid boundaries, inside/outside, above and below, a city without walls, without boundaries a city of the mind perhaps?

Slide23 l.jpg

Per Barclay

Hard unforgiving containers with precisely defined inner spaces, functional, minimal and austere. Claustrophobic with clearly defined boundaries.

Slide24 l.jpg

Sandy Skoglund

Strange apocalyptic surreal

view of the future in created

environments. Subverting inner

Spaces into the unexpected

Fantasy worlds.

Formal l.jpg


Which boundaries?

Materials, methods or subject?

Help or hindrance?

Slide26 l.jpg

Richard Long primal forms less is more each element counts.

Slide27 l.jpg

Positive and negative inside and outside - composition

Slide28 l.jpg

Working with primal shapes and natural materials the formal rigour comes through the organization and acceptance of clearly defined boundaries, the clarity of the decisions.

Slide29 l.jpg

Shapes are ordered and placed precisely in relationship to one another. The space they occupy is integral to the work and forms a conceptual boundary.

Materials are chosen very carefully and comment specifically on the works location.

Slide30 l.jpg

Cornelia Parker ordering and re-making witty re-imaginings pushing the boundaries of interpretation and belief. Making alchemical transformations by simple procedures which in turn make us see things differently. Is it the same object when flattened or does it become something else?

Slide31 l.jpg

Objects are arranged carefully and float delicately just above the ground as though they have become unreal, ghostly.

Slide32 l.jpg

An ordinary old garden shed was blown up and then carefully re-assembled to become something magical when lit from within as though at the point of explosion.

The shadows and light are integral to the piece and the title suggests something elemental and timeless as though this might be a visual realization of the Big Bang or some other extraordinary planetary event.

An ordinary old garden shed has become something wonderful and evocative all because of an explosion and the vision of the artist.

Cold Dark Matter Cornelia Parker

Slide33 l.jpg

Ernesto Neto each tube is filled with richly smelling herbs and spices which permeate the gallery, our sense of smell is tested provoking all kinds of organic associations when associated with the sculptural forms.

Slide34 l.jpg

Richard Deacon creating boundaries by using fluid organic forms making wood flow like water.

Issey Miyake fluid boundaries as pleated silk cascades and also flows like water.

Slide35 l.jpg

Joseph Cornell Mysterious boxes pushing the boundaries of our understanding visual poems contained in prescribed forms, boxes. Containers holding secret worlds which suggest memories and vague recollections.

Why are things ordered in this way? Why these objects? What are they trying to tell us?

They are like the fragments of someones thinking without being able to see the whole thought. Props in an unwritten drama possibly?

Slide38 l.jpg

Louise Nevelson

Contained abstract worlds

3d compositions 3d collages

bound in tightly to the

constraints of the edge. Taut


Compositions where rich evocative shapes are layered in thoughtful compositions. Sculptural assemblage made whole by the use of a single colour.

Working from the outside in.

Compartments l.jpg


Rules created and applied?

Systems and order?

Constraint or useful structure?

Slide41 l.jpg

Adolph Gottlieb Pictograms, primal shapes ordered within a loose grid. A visual language being created as the work progresses. Hieroglyphs of the subconscious.

Slide43 l.jpg

Carol Robertson oil paintings with rigorous rules being applied in order to retain a harmonious classical structure where all the parts are balanced Each part carefully relates to the whole and the edge.

Slide44 l.jpg

Colour is carefully and intelligently considered quantity and position are vital. Like a jigsaw puzzle each piece is locked into place, to move one would disrupt the others.

Slide45 l.jpg

Michael Wolf photographs of Hong Kong fascinating compositions surround us every day as a whole or in detail, we just have to look. We all live in boundaries from the size of our room to the size of our apartment to the size of our building to the size of our estate to the size of our district to the size of our country to the size of our region etc. etc.

Slide49 l.jpg

Frank Connet textile pieces, woven, stitched and dyed, sometimes just changing the medium provokes questions as you subvert the values within that medium an oil painting that looks like a batik etc.

Slide51 l.jpg

Sarah Morris large scale paintings based on architecture using clear bright industrial paints to suggest the energy and excitement of modern urban life. A modern day Mondrian.

Slide54 l.jpg

Etchings using the shapes found in contemporary American architecture.

Slide55 l.jpg

n. pl.boundaries

Something that indicates a border or limit.

The border or limit so indicated.

  • Login